These transformative films pushed boundaries and changed cinema forever
The movies of the 1950s
are sometimes overshadowed by the iconic cinema of the 1960s and 70s. However, it would be a mistake to assume that
the 1950s were without monumentally important films. Major developments took
place in the cinema of the 1950s, including an increase in the popularity of
global cinema, new approaches to acting and narrative storytelling, and the
rise of groundbreaking directors like Billy Wilder, Alfred Hitchcock, and John
Ford.
In chronological order
by release date, the following list includes the most important movies (though
not necessarily the best) released during the 1950s.
Cinderella (1950)
In the late 1940s, Walt
Disney was in desperate need of a hit film. Throughout the decade, his studio
had been losing money. Certain films had performed below expectations (the
original releases of Fantasia and Pinocchio) and Disney had spent significant
time and resources making films for the U.S. government during World War II and
its aftermath.
However, the animated
classic Cinderella proved to be such a huge success that it saved the studio's
fortune and provided an endearing template for many of Disney’s successive
animated classics. Without Cinderella, Disney might have never recovered.
Rashomon (1950)
Rashomon
Daiei Motion Picture
Company
Japanese filmmaker
Akira Kurosawa's Rashomon is groundbreaking for the way its narrative is
constructed. A single crime is recounted in a trial setting from four separate
points of view, each of which is contradictory and up to interpretation.
After winning the
Golden Lion at the Venice Film Festival and an Honorary Academy Award, Rashomon
brought a new level of acclaim to Japanese cinema.
Kurosawa went on to
make more masterpieces in the 1950s, including Ikiru (1952), Seven Samurai
(1954), Throne of Blood (1957), and The Hidden Fortress (1958).
Sunset Boulevard (1950)
Sunset Boulevard
Paramount Pictures
After decades of films
extolling the glories of Hollywood, Billy Wilder’s Sunset Boulevard was one of
the first films to pull back the curtain on the movie industry.
Reclusive silent era
star Norma Desmond (Gloria Swanson), now fifty, plots her return to the big
screen when down-on-his-luck screenwriter Joe Gillis (William Holden) stumbles
onto her aging estate. Gillis slowly learns Desmond's obsession with youth and
stardom and how being separated from it has affected her mental health.
Sunset Boulevard was
one of the top grossing films of the year and changed the public's perception of
the glamorous world of Hollywood.
All About Eve (1950)
All About Eve
20th Century Fox
Much like Sunset
Boulevard, All About Eve looks at ageism and obsession in the entertainment
industry. Hollywood icon Bette Davis stars as a Broadway actress facing the end
of her career as she struggles against a younger rival.
All About Eve was
awarded a record-setting 14 Oscar nominations and won six. But its impact was
even further reaching, because before All About Eve, few actresses over forty
were offered lead roles in films. Like Sunset Boulevard, All About Eve
demonstrated there was a place for mature roles for women on screen.
A Streetcar Named Desire (1951)
A Streetcar Named
Desire
Warner Bros. Pictures
The early 1950s were
dominated by Marlon Brando, a fresh-faced Broadway actor whose natural acting
style served as an inspiration to countless other performers.
After originating the
role of Stanley Kowalski in Tennessee Williams’ A Streetcar Named Desire on
Broadway, Brando reprised the role in the film adaptation directed by Elia
Kazan (who also directed the original Broadway production). Brando's work
introduced much of the public to a new style of acting that would later become
synonymous with actors like James Dean, Al Pacino, and Robert De Niro.
Brando and Kazan would
later work together again in 1954’s On the Waterfront, another groundbreaking
film of the decade.
Singin’ in the Rain
(1952)
Singin' in the Rain
MGM
Since “talking
pictures” first became popular in the early 1920s, Hollywood has embraced the
pageantry of the musical. One of the greatest musicals of the decade is Singin’
in the Rain, which is itself about actors making the transition from silent
movies to sound features. Gene Kelly’s iconic dance sequence while singing the
title song is one of the most memorable scenes in Hollywood history.
High Noon (1952)
High Noon
United Artists
Developed as an
allegory for the on-going Red Scare — in which Hollywood was targeted as a
hotbed of Communist sympathizers — High Noon is a Western starring Gary Cooper
as a small-town marshal who stands alone against a revenge-seeking outlaw who
is on his way to town. One by one, the townsfolk he protected turn away from
him in his time of need.
High Noon was one of
the first revisionist Westerns, and its almost real-time narrative was a
storytelling device rarely used in film beforehand.
The Robe (1953)
The Robe
20th Century Fox
During the 1950s,
Hollywood tried many gimmicks to combat declining audiences in theaters,
including the use of 3D filmmaking. Another strategy was to increase the size
of the screen, especially as a way to combat the growing popularity of
television.
The Robe was the first
film presented in CinemaScope, a widescreen process that soon became standard
throughout the industry (and continues today). The widescreen spectacle of The
Robe led to huge box office success and helped revive interest in Biblical
epics throughout the decade, including The Ten Commandments (1956) and Ben-Hur
(1959).
Godzilla (1954)
Godzilla
Toho Film Company Ltd.
While Japanese
filmmakers like Akira Kurosawa were making what were considered art films for
Japanese studio Toho, the studio was also releasing more entertainment-driven
projects. The greatest of those films was Gojira (better known as Godzilla), a
science fiction film about a massive reptilian beast that attacks Tokyo.
Godzilla is one of many sci-fi films of the decade to explore the dangers of
the atomic age. Though eclipsed by today's special effects, the miniature
effects of Godzilla were groundbreaking and influential.
Godzilla, its many
sequels, and its even more numerous imitators continue to be released today,
and Godzilla remains one of the most recognizable pop culture characters in the
world.
The Searchers (1956)
The Searchers
Warner Bros. Pictures
By the mid-1950s, John
Wayne had played heroic cowboys on screen for a quarter-century, with many of
his best films directed by John Ford. In The Searchers, Ford and Wayne tell the
story of a very different type of cowboy: Ethan Edwards, a conflicted former
Confederate soldier whose family is massacred by a band of Comanche and his
young niece taken captive. The obsessive Edwards becomes increasingly desperate
as he spends years searching, leaving audiences to wonder how he will react if
he finally finds her.
The dark story,
gorgeous cinematography, and Wayne at his very best make The Searchers a
celebrated film.
The Seventh Seal (1957)
The Seventh Seal
Svensk Filmindustri
Hollywood movies
dominated cinemas worldwide through World War II, but in the 1950s filmmakers
from all over the world began gaining international attention with their work.
One of the greatest European directors of the era was Swedish filmmaker Ingmar
Bergman.
Bergman’s first major
international success was The Seventh Seal, a film about a knight who is
confronted by the personification of Death during the Black Plague. The imagery
presented in The Seventh Seal remains iconic decades later. Bergman released a
second highly-regarded film the same year, Wild Strawberries.
The Curse of Frankenstein (1957)
The Curse of
Frankenstein
Warner Bros. Pictures
Years after Universal
Pictures moved on from horror movies, British film studio Hammer Film
Productions revived the creature feature with a series of stark,
gothic-inspired loose remakes of Universal’s most popular monsters produced in
color. The first was The Curse of Frankenstein, starring Christopher Lee as the
Creature and Peter Cushing as Victor Frankenstein. The duo would go on appear
together in many Hammer horror features, and Frankenstein's international
success continues to influence horror filmmakers.
Paths of Glory (1957)
Paths of Glory
United Artists
Stanley Kubrick is
remembered as one of the greatest filmmakers in history. His 1957 film Paths of
Glory, which stars Kirk Douglas as a World War I French military leader who
defends soldiers who refuse to engage in a suicidal advance against German
forces, presented a very different perspective than the typical Hollywood war
movie.
The anti-war themes in
the film were rare for post-World War II society, and its uniqueness set
Kubrick up for his groundbreaking career as a filmmaker.
Vertigo (1958)
Vertigo
Paramount Pictures
Though masterful
director Alfred Hitchcock made a number of masterpieces in the 1950s – Stranger
on a Train (1951), Rear Window (1954), and North by Northwest (1959), to name a
few – the initially under-appreciated Vertigo might be the Master of Suspense’s
crowning achievement of the decade.
Hitchcock's frequent
collaborator James Stewart plays a detective forced to retire because he
suffers from vertigo. As a private investigator, he is hired to track a
mysterious woman in a complex murder plot. Vertigo's theme of obsession
continues to engage and perplex viewers, and its revolutionary use of camera
techniques are frequently imitated, even today.
Some Like It Hot (1959)
Some Like It Hot
United Artists
Comedy films began to
explore new topics by the end of the 1950s. One of the highlights of that
exploration is Some Like It Hot. The film stars Tony Curtis and Jack Lemmon as
witnesses to a murder who disguise themselves as women to avoid being caught by
the perpetrators.
Cross-dressing comedy
was considered extremely cutting-edge at the time, and Some Like It Hot (along
with director Billy Wilder and co-star Marilyn Monroe in perhaps her last great
role) helped usher in the groundbreaking comedy of the 1960s by pushing the
envelope at the end of the 1950s.
source:
https://www.thoughtco.com/important-1950s-movies-4160998
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